Join us in celebrating the Barnard Center for Research on Women's 40th anniversary as we bring together activists, scholars and artists from around the world to mark the legacy and future of social justice feminism.
Asian and Middle Eastern Cultures professor contributes to The New York Times' "Room for Debate" forum.
The Barnard alumna reflects on her work as a human rights activist mobilizing the Jewish community against US-sponsored torture and modern slavery, while exploring questions of how Judaism reacts to extreme violations of human dignity.
The Barnard alumna, Yale University professor and award-winning author reconsiders the history of the American welfare state and the future of work, rights, security and dignity in the new care-work economy.
The Barnard International Artists Series is proud to welcome the Delhi-based trio Raqs Media Collective: Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. The work of these world-renowned artists is located at the intersection of contemporary art, historical enquiry and philosophical speculation. In part, their work is a response to history’s ghosts, restlessness, and today’s India. In the words of The Guardian: “They make videos, high-tech objects, installations and online projects exploring a world reshaped by globalization.” This will be a rare opportunity to hear the artists discuss their work and the ideas that inspire them.
Raqs Media Collective is a group of three media practitioners—Jeebesh Bagchi (New Delhi, 1965), Monica Narula (New Delhi, 1969) and Shuddhabrata Sengupta (New Delhi, 1968)—based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is perhaps this breadth that gives their work its originality and scope. In 2008, the members of Raqs were co-curators of the European Biennial of Contemporary Art. More recently, their work has been exhibited at the Baltimore Museum of Art; the Ullens Centre for Contemporary Art in Beijing; the Contemporary Art Centre, New Orleans; The Photographers’ Gallery, London; and Frith Street Gallery.
Bestselling author and Barnard English professor writes about the clash between Pope Francis I and American nuns.
Elizabeth Hutchison and Premilla Nadasen explore the history of domestic worker organizing in the United States and Chile.