Barnard Library Zine Collection FAQ
ZINES 101
What is a zine?
Is a zine a print version of a blog?
ZINES AT BARNARD
When did Barnard start the zine collection?
What kind of zines do you have at
Barnard?
Who reads these zines and why?
How many zines are in the Barnard Zine Collection?
How many zines are by Barnard students and/or alumnae?
Could you give examples of some cool titles/subjects
in Barnard's collection?
What other colleges have zine collections?
How does Barnard's collection compare?
USING THE ZINE COLLECTION
How can I access the zine collection at Barnard?
Does the library accept zine donations?
Can I borrow zines from the library?
Can the zines be loaned to other
libraries?
I am looking for a particular zine. Will it be in the catalog?
How will I find the zine I'm looking for on
the shelf?
Is there a
mailing list? I'm interested in programs, events,
workshops and other zine stuff.
What is a
zine?
"Zine," which rhymes with spleen, comes from the words "magazine" and
"fanzine." Definitions of the word vary tremendously, but most
publications that call themselves zines have several of these
characteristics:
*Self-published, no editor or
censor
*Small, self-distributed print
run
*Motivated by desire to express
oneself rather than to make money or get famous
*Outside the mainstream
*Low budget
Is a
zine a print version of a blog?
Zines and blogs have common qualities, but they are not entirely the
same. Addressing this topic, the Barnard Zine Librarian has written
an article called Zines Are Not Blogs: a Not Unbiased Analysis.
When did
Barnard start the zine collection?
The idea for the collection was
pitched
and accepted in the summer of 2003. It was awarded an initial
materials budget of $500. It took about a year of planning to get
the zines onto the shelves.
What
kind of zines do you have at Barnard?
There are a lot of different types of zines at Barnard, but since
the collection was launched to complement our women's studies
holding, much of the emphasis is on feminism. In addition to
focusing on feminism, we try to collect works by writers of color
and zine writers from the NYC area. Popular topics include personal
and political publications on activism, anarchism, body image, third
wave feminism, gender, parenting, queer community, and a range of
other feminist concerns. All of the zines in our collection were
written by women (biological and transgendered) or people of all genders with a femme identity.
Who
reads these zines and why?
This collection aims to serve the needs of current readers and
scholars and those of future researchers,
Barnard and Columbia students and
faculty, scholars from other academic institutions, and writers
doing research for a major publishing house have used zines to
research topics such as the Riot Grrrl movement, Sassy magazine, girls and education, radical parenting and other
topics. Library science graduate students from around the city have
visited and worked with us to learn more about collecting,
cataloging and preserving alternative publications.
We believe the collection will be
an invaluable resource for future scholars. Zines are primary source
documents that tell the story of contemporary life, culture, and
politics in a multitude of women’s voices that might otherwise be
lost.
We also hope that current readers
will enjoy the collection simply for its vibrancy, humanity, and
artistic value.
For more information on local
zine sources, check out our
zine
links; there are lots of great organizations in the zine
community.
How many
zines are in the Barnard Zine Collection?
There are over 1100 zines in the open stacks, where they can be pored
over, photocopied, and we hope not spilled upon by readers. We have
several hundred more in the archives. We currently own nearly 3000
individual issues of zines, but many of them are awaiting processing and
so are not yet fully represented
in the
catalog.
We collect zines in several
categories, including:
*Art zines
*Compilation zines
*Fanzines
*Mamazines
*Minicomics
*Personal zines
*Political zines
*Split zines
How
many zines are by Barnard students and/or alumnae?
A few, but not enough. If you want to add your zine to the
collection, please contact the zine librarian. All zines by Barnard and Columbia
women will be accepted. We'll even pay for them! There is one
Barnard compilation zine in the collection, made at a
workshop held at the library in Spring, 2006. We also have zines
created by BC/CU organizations like
ClubQand
SEEJ.
Could you give
examples of some cool titles/subjects
There are so many wonderful zines that this is an impossible task.
Since that's a completely inadequate response, we'll highlight a
zine or two from each genre in an attempt to give you some idea of
what's cool in our zine collection. Please be aware that this is
totally subjective!
ART ZINES
Chinese Sweatshop, Elsie Sampson
Elsie's zines are bursting with art, handwritten comments,
attached objects, recipes and all of the other accoutrements
of exuberant creativity. She generally writes about her life
as a resident alien Chinese living in White Plains, NY. She
makes arts, goes to school, and attends zine and craft
events. This has nothing to do with sweatshops.
Mirror Tricks, Robin
Hustle
In contrast to Chinese Sweatshop's jumbling richness,
Mirror Tricks is spare and subtle. It's a visual and written
account of the author's experience as a prostitute.
COMPILATION ZINES
Hard as Nails: the Tough Girl Compilation Zine,
Lauren Jade Martin
Lauren interviews and celebrates her strong female friends,
many if not all of whom are women of color, and ask them
about their own heroines. It's done in a respectful, yet
playful and fun manner, with hand drawn self-portraits and
other art elements.
Ladyfriend: for
Ladies and All Their Friends, Christa Donner
Each issue has a different theme, e.g. hair, age, shoes, or
food. It tackles some serious and some less serious topics in a
playful, yet respectful manner. There have been articles about
riot grrrl, Internet dating, women's self-defense, eating
disorders, and other topics, and there are usually zine and
music reviews, as well. It's muy third wave!
DIY ZINES
Dropping Out (for Students), Cavegirl
DIY instruction units in this radical zine include
shoplifting, dumpster diving, squatting, and other freegan
survival techniques. It tells one woman's story of rejecting
high school and many societal norms. Even if you're not
ready to leave town with $60 and a sleeping bag, you may
wish you were after reading about Cavegirl's adventures and
beliefs.
SEEJ Operating Manual,
SEEJ
members
This cut and paste zine by Barnard and Columbia members of
Students for Environmental and Economic Justice is a great
primer on collective processes and dynamics and recognizing
one thing that keeps a movement going, throws in some vegan
recipes, too. The physical object conveys the students'
generosity, creativity, sense of humor, and commitment to
political change. They're cute, but very serious.
FANZINES
All Slay #3: The Sex Issue,
Katy Stevens
This is a scholarly zine about Buffy the Vampire Slayer. Do
you really need to know more? Unfortunately, it's out of
print, and other issues have been impossible to get.
Therefore we'll have to content ourselves with just the sex
issue, which looks at the Angel series, as well as Buffy.
They investigate gender issues, queerness, feminism, sex and
violence, and there's also the obligatory slash fiction.
Judy!, Andrea Lawlor-Mariano
Judy is a Judith Butler fanzine from 1992. The
existence of a Judith Butler fanzine alone is enough to
crack up anyone involved in women's studies and zines. Dr.
Butler's response to the zine, made by a college undergrad,
is documented in the zine and in Lingua Franca. There
are also quizzes, letters, photos and paper dolls.
LITERARY ZINES
Beautiful People, Heather Lynn.
Many people in zinedom don't care much for literary zines.
They will need to make an exception for this 21 year-old
punk rocker who tricks you into reading her short stories by
interspersing them with goofy letters to celebr/ities. The
fiction is startlingly good.
I Hear You Like Stories,
Meg Favreau
Same goes for Meg's stories, and with hers you have to try
to guess which are true and which are not. Visually the zine
has an 1890s aesthetic, but the fiction is plenty topical. A
crafty girl, Meg makes her zine very pretty and tidy, as
well.
MAMAZINES
East
Village Inky, Ayun Halliday
Ayun's zine is about raising her kids in br/ooklyn, NY, and
trying to do so in an ethical and artistic manner. Issues
normally include recipes, advice from the father (written by
her spouse, br/oadway show author Greg Kotis), comix,
photobooth photos, recommended NYC spots and events, and
articles on local and national politics, international
travel, and the trials and joys of parenting
The Future Generation, China Martens
Having started her zine in 1990, China is one of the
pioneers of the genre, especially when it comes to
mamazines. She was a young anarchist punk rock mother who
didn't feel that the mamas in her community had enough
support, so she began delivering articles on radical
parenting to her compañeras in an age before the Internet
made that easy. This zine really makes you think about how
you should deal with children and respect them. China is
still making zines, as is her 18 year old daughter, Nadja
(also known as Clover).
MINICOMICS
I Like
Girls, Erika Moen
This is a coming out zine/comix by a queer college student. The
drawings are simple and direct, but also quirky and creative.
On Being Jealous of Invertebrates,
Jess S.
This zine was a huge hit with the school teachers who attended a
workshop we gave in Ohio. It's a series of one panel drawings
with short captions on all the things Jess envies about
invertebrates, particularly sea monkeys, including how easy it
is for them to maintain a vegan diet.
PERSONAL ZINES, also known as PERZINES
Baby Girl
Lindsey Morrison
This is a touching and very personal zine about a young
woman dealing with her mother's terminal illness, while at
the same time trying to live her own life and deal with her
relationships with her other family members and her partner.
Fuck You, High School, Lauren Jade
Martin
Zines have historically been a particularly powerful 14pt
for young people including junior and senior high school
students. Lauren collected contributions from her readers
(virtually all of whom she met through her participation in
zine culture) about the joys and horrors of the high school
years. This is a special issue of her first zine series,
Boredom Sucks
Glossolalia, Sarah Contrary
In some ways Sarah is the stereotypical zine publisher--she
is in her 20s, rides a bike, lives in Portland, and attends
the occasional punk show. Her zine features many of the
typical elements--lists, travel stories, drawings,
contributions from friends, and recommendations. Still, she
manages to make each story and graphic smarter and funnier
than those seen in many other zines. Her story of her bike
trip down the west coast is inspiring, and her skewering
I Dreamed I Was Assertive, Celia C. Perez
Librarians are one of the 16ptst professional demographics
in zine publishing, probably trailing only students, the
semi-employed, and baristas. Celia is one of the most
intelligent and thoughtful bibliozinester. Her zines
chronicle her experiences on public transportation in
Florida and Illinois, her marriage and recently, having a
child, and work in various libraries. With her working class
Latina background, Celia also addresses issues of race and
class.
I Was a Teenage Mormon, Caitlin
It's just what it sounds like--a big, fat zine about a young
woman coming of age among the Mormons of Utah and her
eventual escape.
POLITICAL ZINE
Evolution of a Race Riot
Mimi Nguyen
This empowering zine takes on racism in punk rock,
anarchism, feminism, and zine publishing. The second issue
contains a valuable race riot project guide, as well.
Figure 8, Krissy Durden
Durden, a proponent of the fat acceptance movement and
founder of FATASS (the Fat Action Allstar Spirit Squad)
writes about health, politics, and emotional issues facing
women of size.
What other colleges have zine collections,
and how does Barnard's collection compare?
Check out our lists of
academic,
public,
and
other types of library zine collections.
There aren't very many zine
libraries to begin with, and few of them fully catalog their zines
in the
worldwide union
catalog known as
WorldCat. The zines existence in WorldCat makes it easy for people
around the world to know that we have zines in our collection and
facilitates their ordering them via
Interlibrary Loan.
Another advantage to having the zines included in
CLIO,
our online catalog, is that researchers who may never have heard of
zines can discover them serendipitously.
To our knowledge there are three
other libraries that have collections specializing in women's zines:
Duke University,
Smith College, and
Tulane
University. We believe those collections are all closed stacks,
meaning you have to ask for the zines you want and use them under
supervision. Along with
Colorado College and
Pratt Institute,
Barnard is one of the few academic collections that has zines
available in the open stacks.
How can I
access the zine collection?
The collection is easily accessible to anyone with a Barnard or
Columbia ID or to people from schools to whom we grant site
privileges (e.g.
NYU, SHARES
institutions). If you are not a member of one of these communities,
just
contact the Zine Librarian to make an appointment. It's NO BIG
DEAL. We just have to let the desk attendant know to expect you. If
you prefer phone to email, call 212.854.4615.
Once you get here, remember that there are two sets of zines: stacks
and archives. There are twice as many zines in the archives and
hundreds more that haven't been processed yet and are in the Zine
Librarian's office or in Technical Services. If there is something
in particular that you are looking for and can't find it, please
ask for help at the
reference
desk!
Does the
Barnard Library accept zine donations?
Yes! At the moment, we are especially interested in acquiring zines
that document Riot Grrrl, though we are eager to accept zines from
any time period or subject as long as they fit our collection policy
guidelines. Our guidelines specify that the zines must be written by
people who identify as female or did when the zine was
published or by people of all genders writing about their femme identity.
When possible, we like to get two copies of each
zine--one for the archives, and one for the stacks. Please
contact us before making your donation. We will be happy to
provide a letter acknowledging the donation, but we cannot provide a
valuation with it.
Can I borrow
zines from the library?
Yes! In November 2007 we became the first academic library that
we know of to circulate zines.
Can the zines
be loaned to other libraries?
Stacks zines are available via
Interlibrary Loan. Please go through the normal ILL channels at your
local library.
I am looking
for a particular zine. Will it be in the catalog?
Many of the zines available are
currently in
CLIO,
but some others have yet to be processed. When in doubt, you can
always ask the Zine Librarian.
How will I find
the zine I'm looking for on the shelf?
The zines are shelved on the
zine bookcase, which is on the second floor of the library, between the
newspapers and current periodicals. The call numbers start with
"ZINE" followed by a Cutter number, "An alphanumeric scheme
ordinarily based on the author or main entry." (From the University
of North Carolina's
Serials Cataloging Graduate Manual - Glossary. Accessed October
20, 2006.)
Do you
have a mailing list for programs, events, workshops and other zine
stuff?
Yes! Sign up at
http://muse.barnard.edu/sympa/info/zinelist. Another way to keep
in touch with us is by following us on
FaceBook,
LiveJournal,
MySpace, and Twitter.
This page last updated 07/13/2009.