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Current Season: Fall 2009

Dissident Acts: 3 PlaysDISSIDENT ACTS: 3 Plays
Catastrophe by Samuel Beckett
The Police by Slawomir Mrozek
The Unveiling by Václav Havel

Directed by Gary Cherniakhovsky
Dramaturgy by Hana Worthen
Set Design: Simon Pastukh
Lighting Design: Betsy Adams
Costume Design: Galina Solovyeva
Sound Design: Jill Du Boff
Video Design: Dustin O'Neill
Stage Manager: Laura Oseland
November 19-21 at 8pm
Post-show discussion with Prof. Dennis C. Beck, James Madison University, on November 19
Tickets $10/$5 w/CUID

Dissident Acts: 3 Plays presents works by Samuel Beckett, a member of the WWII resistance, as well as by his political counterparts and dramatic inheritors, the Polish and Czech playwrights Slawomir Mrozek and Václav Havel. Beckett's miniature 1982 Catastrophe interrogates the public role of art in a taut homage to Havel, at the time imprisoned for subversion of the state. Mrozek's 1958 The Police, unveils the deep absurdity of totalitarianism, and Havel's 1975 Unveiling, transforms this absurdity into the hypocrisy of its elite. Taken together, these plays, performed by Barnard and Columbia students, refuse to be museified as documents of the (in)human past; they extend the dissident inquiry of the liberal arts, animating an ongoing interrogation of the politics of our present.

Molière's
TARTUFFE

With Barnard and Columbia Students
Directed by Will MacAdams
Set design by Heather Englander
Lighting design by Chris Brown
Costume design by Sandra Goldmark
Sound design by Elizabeth Rhodes
Stage management by Caroline Englander

October 15-17 at 8pm
Minor Latham Playhouse, 118 Milbank Hall
Tickets $10/$5 with CUID

Sponsored by the Barnard College Theatre Department and the Columbia University Major in Drama and Theatre Arts

Molière was a great favorite of King Louis XIV, and although Tartuffe was first performed at Versailles in 1664, the next version of the play was banned because of strenuous objection by the church, which took umbrage with Molière's virulent attack on religious hypocrisy. Molière embarked on a years-long,early modern French version of a public relations campaign to rehabilitate the reputation of his play. He eventually succeeded in winning over the Sun King, which may have had something to do with the playwright's shrewd introduction of a certain royal who appears to restore order and harmony at the play's conclusion.The Theatre Department welcomes Columbia School of the Arts directing alumnus Will MacAdams, who will direct an all-women ensemble of Molière's brilliant and timely comedy.

All events are in the Minor Latham Playhouse, 118 Milbank Hall. For information, visit www.barnard.edu. For reservations, visit http://tic.columbia.edu.

Sponsored by the Department of Theatre/Columbia Major in Drama and Theatre Arts, with the assistance of the Harriman Institute.




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