She’s toured with Laurie Anderson, Cyndi Lauper, and Rickie Lee Jones, but percussionist Sue Hadjopoulos ’75 says that her career as a sought-after performer and recording artist wasn’t something she anticipated.
“There’s been a dramatic transformation,” says Professor Tina Campt. “There’s been the transformation of going from nothing to something.” She’s talking about the Africana Studies Program, which she directs—and which celebrates its 20th anniversary this year.
The Barnard-Columbia Chorus and St. Olaf’s Choir perform Francis Poulenc’s masterful choral work Gloria.
The Barnard music department joins the Opera Company of Brooklyn in presenting Mozart’s irresistible story of passion, betrayal and ultimately, forgiveness.
Shanna Lorenz, professor of music and Latino/a and Latin American Studies at Occidental College, explores how circular migration between Brazil and Japan has impacted Brazilian society.
Organist Gail Archer and hip-hop producer Ebonie Smith '07 discuss the challenges women face when they want to make it in the music industry.
Ingrid Kummels explores how Anacaona, a Cuban all-women jazz band founded in 1932, shaped the transnationalization of jazz music and its modern-day performance.
Fearless fiddler breathes fresh life into classic American music