Assistant Professor Hana Worthen and acclaimed theater director Kristian Smeds discuss the problems of “translation nationalism” as treated in his play Mental Finland.
From its famous first word—MERDRE!— through its glorious anatomy of scatology, gluttony, and homicide, Ubu the King is the instrument of total satire.
Join the university’s student choirs and Opera Hispanica for the annual Candlelight Concert, celebrating the music of South America.
The Barnard Project continues to connect students to the professional world by commissioning premieres from cutting-edge choreographers.
There’s a war in heaven, God is dying, and he’s taking the universe with him: this is the premise of José Rivera’s 1993 Obie-Award winning play.
Barnard and Columbia dancers perform global, classical and contemporary works.