Clare Tow and Ann Whitney Olin Professor
Tina Campt is Claire Tow and Ann Whitney Olin Professor of Africana and Women’s Gender and Sexuality Studies, Director of the Barnard Center for Research on Women, and Chair of the Africana Studies Department at Barnard. Campt joined the Barnard faculty in 2010, prior to which she held faculty positions at Duke University, the University of California-Santa Cruz and the Technical University of Berlin. Originally trained in modern German history at Cornell University, Professor Campt’s published work explores gender, racial and diasporic formation in black communities in Germany, and Europe more broadly. She is the author of three books. Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich (University of Michigan Press, 2004) is a historical inquiry based on oral histories and archival documents that explores the experiences of Black Germans during the Third Reich. Image Matters: Archive, Photography and the African Diaspora in Europe (Duke University Press, 2012) theorizes the affects of family photography in early twentieth century Black German and Black British communities. Her most recent book, Listening to Images (Duke University Press, 2017) theorizes the everyday practices of refusal and fugitivity enacted in a frequently overlooked genre of black vernacular photographs she calls ‘quiet photography.’ Campt has edited special issues of Feminist Review, Callaloo and Small Axe, and together with Paul Gilroy, co-edited Der Black Atlantik (Haus der Kulturen der Welt, 2004), the first German language collection of key texts on the Black Atlantic. Professor Campt is the recipient of research grants and fellowships from the Leverhulme Trust, the American Association of University Women, The German Academic Exchange Service (DAAD), the Social Science Research Council, and the Robert Penn Warren Center for the Humanities.
Theories of Racial and Gendered Formation
Black German and Black European Studies
African Diaspora Studies
Visual Culture and Vernacular Photographies
Theories of Affect
Oral History and Memory Studies
Africana Studies Program, Barnard College
Theorizing Diasporic Visualities (undergraduate seminar)
Engendering Black Britain (undergraduate seminar)
Africana Junior Colloquium: Theorizing Diaspora (undergraduate core course)
Africana Senior Thesis Seminar (undergraduate core seminar)
Women’s Studies Department, Barnard College
Senior Seminar: Knowledge, Practice, Power (undergraduate core seminar)
Colloquium in Feminist Theory: Interpreting Bodies (undergraduate core course)
Colloquium in Feminist Theory: Theorizing the Practice of Refusal (undergraduate seminar)
Institute for Research on Women and Gender, Columbia University
Theoretical Paradigms in Feminist Scholarship (graduate seminar)
2017 Listening to Images, Duke University Press.
2017 “Performing Stillness: Diaspora and Stasis in Black German Vernacular Photography” Qui Parle 26:1, 155-170.
2017 “Arthur Jafa in Conversation with Tina Campt: Love is the Message, the Plan is Death” E-flux Journal. Issue 81, April.
2016 “The Motion of Stillness: Diaspora, Stasis, and Black Vernacular Photography” in Remapping Black Germany, Sara Lennox, ed. University of Massachusetts Press.
2015 “Stasis” in Archives and Affect: An Archive of Encounters, National Audiovisual Institute, Warsaw, Poland.
2015 “The Order of a ‘Changing Same’: Seriality in Contemporary African Portraiture” in The Order of Things: Photography from the Walther Collection, Brian Wallis, ed. Steidl.
2012 Image Matters: Archive, Photography and the African Diaspora, Duke University Press.
2011 “What’s the ‘trans’ and where’s the ‘national’ in transnational feminist practice? – A Response,” Feminist Review.
2009 “A Future Beyond Empire: An Introduction,” co-authored w/Saidiya Hartman, Small Axe: A Caribbean Platform for Criticism, vol. 13: 1, no. 28, 19-26.
2009 “Family Matters: Race, Gender and Belonging in Black German Photography,” Social Text 98, vol. 27: 1, 83-114.
2009 “Pictures of Us? Blackness, Diaspora and the Afro-German Subject,” Black Europe and the African Diaspora, Darlene Clark Hine, Trica Keaton and Stephen Sma lls, eds., University of Illinois Press, 63-83.
2008 “ Gendering Diaspora: Transnational Feminism, Diaspora and Its Hegemonies,” co-authored with Deborah Thomas, Feminist Review, Special Issue: “Gendering Diaspora” vol. 90, Fall.
2004 Der Black Atlantic, Tina Campt and Paul Gilroy, eds., Haus der Kulturen der Welt.
2004 Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, University of Michigan Press.
In the News
The Schomburg Center for Research in Black Culture—an institution integral to Barnard’s Harlem Semester—has been newly renovated thanks to the architecture firm led by Claire Tow Professor of Professional Practice and Department of Architecture Chair Karen Fairbanks.
Q & A with Professor Tina Campt on her book Listening to Images.
At Reunion 2017, Alumnae returned to campus to reconnect and attend panels, lectures, and cocktails.
Barnard College historically has been a space for activism—from Annie Nathan Meyer’s aggressive advocacy of women’s education in the 1880s to the 1968 Vietnam War and civil rights protests to recent calls for divestment from fossil fuel companies.
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