Tina Campt is Ann Whitney Olin Professor of Africana and Women’s Gender and Studies, Director of the Barnard Center for Research on Women, and Chair of the Africana Studies Department at Barnard. Campt joined the Barnard faculty in 2010, prior to which she held faculty positions at Duke University, the University of California-Santa Cruz and the Technical University of Berlin. Professor Campt’s published work explores gender, racial and diasporic formation in black communities in Germany, and Europe more broadly. She is the author of two books: Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich (2004), an oral history that explores the experiences of Black Germans during the Third Reich, and Image Matters: Archive, Photography and the African Diaspora in Europe (2012), which theorizes the affects of family photography of in early twentieth century Black German and Black British communities. Campt has edited special issues of Feminist Review, Callaloo and small axe, and together with Paul Gilroy, co-edited Der Black Atlantik (2004), the first German language collection of key texts on the Black Atlantic. Her third book, Listening to Images (forthcoming in 2016 from Duke University Press) theorizes the everyday practices of refusal and fugitivity enacted in a frequently overlooked genre of black vernacular photographs she calls ‘quiet photography.’ Professor Campt is the recipient of research grants and fellowships from the Leverhulme Trust, the American Association of University Women, The German Academic Exchange Service (DAAD), the Social Science Research Council, and the Robert Penn Warren Center for the Humanities.
Theories of Racial and Gendered Formation
Black German and Black European Studies
African Diaspora Studies
Visual Culture and Vernacular Photographies
Theories of Affect
Oral History and Memory Studies
Selected Courses (related to Women's, Gender and Sexuality Studies)
Interpreting Bodies: The Black Female Body
Theorizing Diaspora: Feminism, Transnationalism and the African Diaspora
2004 Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, University of Michigan Press.
2004 Der Black Atlantic, Tina Campt and Paul Gilroy, eds., Haus der Kulturen der Welt.
2008 “Gendering Diaspora: Transnational Feminism, Diaspora and Its Hegemonies,” co-authored with Deborah Thomas, Feminist Review, Special Issue: “Gendering Diaspora” vol. 90, Fall.
2009 “Family Matters: Race, Gender and Belonging in Black German Photography,” Social Text 98, vol. 27: 1, 83-114.
2009 “A Future Beyond Empire: An Introduction,” co-authored w/Saidiya Hartman, Small Axe: A Caribbean Platform for Criticism, vol. 13: 1, no. 28, 19-26.
2011 “What’s the ‘trans’ and where’s the ‘national’ in transnational feminist practice? – A Response,” Feminist Review.
2012 Image Matters: Archive, Photography and the African Diaspora, Duke University Press
2016 Listening to Images, Duke University Press
In the News
New faculty members strengthen the Africana studies program and establish new courses of study. Read more about these renowned scholars.
“Theorizing Diasporic Visuality,” is the first CCIS Critical Inquiry Lab – an innovative series of linked courses sponsored by the Consortium for Critical Interdisciplinary Studies (CCIS).