Elizabeth Hutchinson

Associate Professor of American Art History

Elizabeth W. Hutchinson, Associate Professor of Art History, joined the Barnard faculty in January 2001. In addition to her teaching duties for the Department of Art History, she on the executive committee of Barnard's American Studies Program and Columbia's Center for the Study of Ethnicity and Race.

Professor Hutchinson's research centers on the role played by visual and material culture in the interactions between the diverse cultural groups of the American west, using the tools of close visual analysis, feminist and postcolonial theory, and cultural history to interpret the contributions of art objects to current and historical cultural debates. She has written extensively on how Native Americans used "modern" art to negotiate a place for themselves within modern industrial culture at the turn of the twentieth century. More recently, she has turned her attention to the role of photography in documenting and defining the topographical and cultural landscape of the West in the nineteenth century. Professor Hutchinson's research and scholarship have received support from the National Endowment for the Humanities, the Georgia O'Keeffe Museum, the Sterling and Francine Clark Art Institute, and Winterthur Museum and Country Estate.

Professor Hutchinson's courses examine American visual culture from the colonial period through the early twentieth century. She has developed specialized classes on Native American art, the Harlem Renaissance, and the Hudson River school, all of which make use of the rich resources of New York City. Her teaching and mentoring at Barnard have been recognized with the Gladys Brooks Junior Faculty Excellence in Teaching Award and the Star Teaching Award from Barnard's Office of Disability Services.

Academic Focus: 

North American art to 1914
Native American Art History
History of Photography
Postcolonial theory


AHIS BC1010: American Monument Cultures

AHIS BC3642: North American Art and Culture

AHIS BC3948: Jacob Lawrence's Harlem

AHIS BC3970: Methods and Theories of Art History

AHIS GU4089: Native American Art

AHIS GU4626: Nature, Tourism and the North American Landscape

FYS BC1296:  The Hudson: America's River

AHIS GR8443: Eco-Art History

Awards & Honors: 

American Antiquarian Society Short-term Visiting Scholarship, 2017 (declined)

ACLS Fellowship, 2011-12

Gladys Brooks Junior Faculty Excellence in Teaching Award, 2006

NEH Fellowship, 2004-5

NEH Summer Stipend, 2003

Sterling and Francince Clark Art Institute Summer Fellowship, 2003

Winterthur Museum, Garden and Library Fellowship, 2002


Selected Publications:

The Indian Craze: Primitivism, Modernism and Transculturation in Native American Art, 1890-1915 (Duke University Press, 2009).

“Conjuring in the fog: Eadweard Muybridge on the California Coast,” in Rachael de Lue, ed. Picturing Volume I of the Terra Foundation Perspectives In American Art series (University of Chicago Press, 2016), 114-147

“Taos and its other Neighbors: intertribal visiting in Taos School painting,” Branding the American West:  Paintings and Films, 1900-1950 (University of Oklahoma Press for BYU Art Museum and Stark Museum, 2016) 136-161

“’A Narrow Escape’: Albert Bierstadt’s Wreck of the Ancon,” American Art (Spring 2013): 50-69

"They Might Be Giants: Galen Clark, Carleton Watkins and the Big Tree," October Vol. 109 (Summer 2004): 47–63.


Diana 500R

Barnard College, Columbia University

3009 Broadway

New York NY 10027




Office Hours: 

Thursdays 1:30-3:30 and by appointment


BA, Yale University
PhD, Stanford University

Related Web Sites: 

In the News

In this Break This Down, Hutchinson discusses the historical and cultural issues raised in cataloging and exhibiting America’s indigenous cultural treasures.

Each spring, Barnard College presents selected faculty with awards to honor their commitment to exceptional teaching and research.