In Mark Santolucito’s computer science course Creative Embedded Systems, students problem-solved to produce sculptures that spin, roll, or give the illusion of flight.
Barnard College News
A yearlong partnership with local teachers began last July with a week of workshops focused on STEAM curricula.
Artist Henry Richardson’s glass sculpture was inspired by his thesis advisor, Bryn Mawr professor Maria Luisa “Weecha” Crawford, a world-renowned metamorphic petrologist.
Magdalene Pernambuco ’22 chats with her aunt and grandfather — Barnard professor Sandra Goldmark and her father, Peter Goldmark — about their newly published collaboration, Haikus for New York City.
Everyone entering Milbank Hall will now be greeted by two portraits from the famed visual artist.
In American Monument Cultures, students explore the significance of monuments throughout history, using digital humanities platforms to engage with the cultural and political power of public structures.
This fall, the art history professor will invite students to examine the wild history of apparel and fashion’s surprising trends in her class “Clothing.”
In celebration of Asian/Pacific American Heritage Month, Irene Mei Zhi Shum ’93 shares her favorite Barnard memories and the best advice she received.
The Brooklyn and Mexico City-based professional photographer discusses the pivotal role Barnard played in her journey as an artist and how the College continues to define her community.
Artists and transnational collaborators Jeannette Ehlers and La Vaughn Belle open up about the famous monument’s long-term residency in Barnard Hall, the legacy of Mary Thomas, and the importance of filling public art space with black narratives.
Monumental sculpture I Am Queen Mary to be installed in historic Barnard Hall
