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Barnard College’s signature event celebrates its first decade Thursday, Feb. 27 through Sunday, March 1.
Barnard College’s signature event celebrates its first decade Thursday, Feb. 27 through Sunday, March 1.
Since 2018, more than 90% of recent graduates have either found work or were in graduate school just six months after Commencement with the support of Barnard’s signature career services.
The youngest-ever National Book Award nominee shares how Barnard helped her find her voice as a writer.
Ahead of the 10-year anniversary of the Athena Film Festival, the award-winning filmmaker reflects on being a student coordinator for the first-ever Festival in 2011 and its lasting impact on her career.
Acclaimed projects by Petra Costa ’06, Greta Gerwig ’06, and Sheila Nevins ’60 are up for filmmakers’ most coveted trophy.
Alexis Pauline Gumbs ’04 — scholar, poet, and activist — addresses queer blackness in her work and the concept and inspiration behind her new book.
How studying sociology at Barnard provided valuable insight into human drama for a rising star and alumna.
How playing tennis as a Barnard student-athlete on the heels of Title IX helped an alumna combine her interest in law, politics, and women’s athletics to serve up long-lasting professional success.
How double majoring in English and psychology prepared a Barnard alumna to go viral with her provocative short story "Cat Person" in The New Yorker.
How Barnard helped an assistant professor of physics at MIT imagine herself as a scientist — and then become one.
From author and fellow alumna Anna Quindlen ’74 to 300 current students and fans of the novel, all agree that Gerwig’s latest film is ‘so Barnard.’
The Brooklyn and Mexico City-based professional photographer discusses the pivotal role Barnard played in her journey as an artist and how the College continues to define her community.
While filming The Marvelous Mrs. Maisel, award-winning costume designer Donna Zakowska ’75 and director Jamie Babbit ’93 discovered that they both went to Barnard. So Barnard got them together again, on-camera, for a chat about the hit show and their shared roots.
For the first time since the play debuted in 1976, The Public Theater brought the Obie Award-winning production to a new generation of audience members. And Barnard was in the house.
The inaugural round of grants awarded by the Council on Diversity, Equity, and Inclusion supported the “Emerging Filmmaker Mentorship Program” and three undergrads who will now screen their films at the Athena Film Festival. (It’s not too late to apply for the next round!)
Barnard’s inaugural Journalist-in-Residence spoke with Mujeres president Fatima Burgos ’21 about Hinojosa’s new class, being back at the College, and giving voice to Latinx issues.
Artists and transnational collaborators Jeannette Ehlers and La Vaughn Belle open up about the famous monument’s long-term residency in Barnard Hall, the legacy of Mary Thomas, and the importance of filling public art space with black narratives.
Monumental sculpture I Am Queen Mary to be installed in historic Barnard Hall
Well-Woman’s Jessica Cannon ’03 chats with Jackie Jahn ’12 and Zoe Mendelson ’12 about creating an online reproductive and sexual encyclopedia with your best friend from college.
From a recent graduate to a curator in charge, five alumnae share how they found their artful calling to work with museums — and sometimes with each other.